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How long will it take for Disney to catch Netflix?

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Netflix walked so Disney could run.

Disney's streaming service has signed up 95 million customers in the last 14 months, a blistering pace with no real precedent. It took Netflix about nine years to eclipse 95 million customers for its streaming service.

Of course, Netflix had to establish the market for online streaming in the first place, training a generation of viewers to watch an on-demand service over the internet instead of a live feed from a cable box.

But the market is now mainstream, and Disney has established itself as the first traditional entertainment company – aka a company with lots of cable networks – to nail the transition to streaming. Unlike so many of its peers, the company is not built around cable. It is built around a studio that creates characters for the destination du jour, be it movie theaters, TV networks, theme parks or toy stores. 

Disney's rapid growth raises a couple of questions, starting with: How long will it take for Disney to catch Netflix? This depends on how you look at it. 

Netflix has grown at record pace even with Disney+ as the competition, and will remain the top dog for the foreseeable future.

But Disney has had all this success with only a couple of new shows. It's going to ramp up its selection of new series and movies in no time, and no company's movies have a stronger following abroad than Disney. If Disney can sustain anything close to its current momentum, watch out.

Notably missing from this chart: Amazon and Apple. Neither company reports subscribers for their streaming services.

Revenue is another story. If you want to look at the competition in online video based on revenue, Disney has a much steeper hill to climb. There is a clear divide between the top two players: Netflix and YouTube, and Disney.

2020 Streaming revenue

  • Netflix: $25 billion.
  • YouTube: $19.8 billion (excluding subscriptions).
  • Disney: $10B-$11B.
  • Viacom: $2B-$3B.

Getting precise numbers for Disney and Viacom is tough due to the way they report, but it's better than the others. AT&T Inc. and Comcast Corp. have yet to break out financial data for HBO Max or Peacock.

The larger chasm between Netflix and Disney can be explained by a single statistic: ARPU (average revenue per user). The average Disney+ customer pays about $4, while the average Netflix customer pays closer to $11.

Disney's ARPU is shrinking as it expands around the world. It is signing up customers in India by charging almost nothing ($5 to $20 a year). Netflix is charging more than triple that. Time will tell which is a better strategy.

Despite only operating in the U.S., Hulu is still a larger business than Disney+ in terms of revenue because it costs three times as much. And Hulu's live TV service is almost as big as Disney+ with just four million subscribers.

Disney's success also sets a very high bar for all of its peers, and three in particular: ViacomCBS (owner of Paramount+), NBCUniversal (owner of Peacock) and WarnerMedia (owner of HBO Max). 

ViacomCBS, NBCUniversal and WarnerMedia now need to prove they too can replicate Disney's success in the transition from cable to streaming. HBO Max and Peacock both stumbled out of the gate, and are now searching for their footing. ViacomCBS is about to take the wraps off of Paramount + (neé CBS All Access), and we previewed their plans here.

Thus far, none of them have committed to streaming in the same way that Disney did. They are still licensing their biggest hits to other companies. They are still producing original shows for other companies. And they are still reluctant to spend huge sums of money on streaming.

That has started to change, in particular at HBO Max. Jessica Toonkel and Tom Dotan have a really good story on the debate raging inside NBCU right now, where the executives know they need to do more with Peacock but aren't sure how. 

The same could be said of ViacomCBS, which, at about $30 billion, is a good deal smaller than many of its direct competitors. That's a big reason that company has continued to sell projects, like "Coming 2 America," to rival services. It needs the money to fund its streaming business.

So what does success look like if you are these three companies? Is 20 million customers a good result at the end of this year? What about 30 million?  

These companies may have different answers. But they can all agree on one fact: coming in third (or fourth) is good enough. -- Lucas Shaw

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Taylor Swift is back with new (old) music

Swift released the first single from her upcoming album, a rerecording of her 2008 album "Fearless." So begins one of the most interesting experiments in music history.

A brief recap: Swift is upset that she doesn't own her first six albums, and she's even more upset that manager Scooter Braun stands to benefit from their performance. (Braun bought and then sold the catalog, but his ultimate payout depends on their performance.) Rather than just stew about it, Swift has spent quarantine rerecording her music.

Music industry executives have dismissed the effort as a vanity project. Most people will still listen to the original versions. Who needs to hear a 31-year-old sing a song she sang when she was 18? While that may be true for some, Swift's fans are very, very loyal. For the more casual listener, the streaming services have a lot of power in deciding what people hear. Which songs will they playlist? What will show up first in search results?

When I searched for the song "Love Story" this week, Swift's new version shows up first.

Chaos at the New York Times

These are scandals that have happened at the New York Times since the start of the pandemic:

  • The paper's opinion editor James Bennet resigned after printing an op-ed from Senator Tom Cotton that led to a staff rebellion.
  • The main subject of a podcast reported by the star ISIS correspondent Rukmini Callimachi turned out to be a liar. No one caught it, and the reporter was reassigned.
  • The producer of that podcast, Andy Mills, left the company after not properly vetting the podcast and allegations he had mistreated women.
  • Health reporter Donald McNeil, a star during much of the pandemic, was pushed out after it was reported that he used a racial slur on a trip with high school kids.

I probably missed something. But in spite of all those scandals, the paper's stock is trading at its highest point in 15 years because more and more people are paying for its products. Who would have thought Facebook and the New York Times would have so much in common?

Super Bowl ratings were way down

About 96 million people in the U.S. watched the Super Bowl this year. To put that into perspective: Viewership declined 15% from a year ago. But the Super Bowl is still twice as popular as the second most-watched TV event (another football game).

That second point is why the NFL expects to secure a record-breaking payday in its next TV deals. The league and networks are negotiating now for rights to future games.

The global music boom

Bad Bunny performs at the 2020 Billboard Music Awards.

Photographer: NBC/NBCUniversal

The biggest pop star in the world is… Bad Bunny. He tops our charts for the fifth time in 10 months.

But here's the real story: Of the 25 biggest pop stars in the month of January, 12 hailed from places that speak a language other than English. (That total was just four last April.) The list includes five people from Puerto Rico, four from Colombia, two from India and one from South Korea. These four territories represent the new capitals of pop music.

Deals, deals, deals

  • Cameo is about to be worth $1 billion. The app, which people use to pay for personalized messages from celebrities, is looking to raise $100 million.
  • Former Spotify executive Troy Carter joined the board of Soundcloud, a rival streaming service looking to revive its business.
  • Barbie is the must-have toy of quarantine. Doll sales surged 9% in 2020, Mattel said this week.
  • The Screen Actors Guild will now represent influencers. "The definition of covered work within the union has expanded to include what successful creators do, which is to make sponsored content for brands," writes Taylor Lorenz.
  • Wall Street analyst Rich Greenfield and his two partners are raising $75 million to invest in media and technology startups.

Weekly Playlist

If you're looking to feel bad about yourself and the world around you, watch "Framing Britney Spears." The New York Times/Hulu documentary is a searing indictment of tabloid culture, and society's casual misogyny.

If you're in need of a pick me up, the third and final installment of Netflix's romantic comedy trilogy "To All the Boys I've Loved Before" dropped Friday. It cured my sour mood.

 

 

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