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Hollywood Torrent: Breaking up with Netflix, the demise of the comedy, the year’s best soundtrack

Hollywood Torrent
Hollywood Torrent
From Bloomberg
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Good morning from Los Angeles, wherever you may be. One downside of moving to Hong Kong for a few months last year was that I missed the holidays with my family. Some people don't like their family. I get that. But I love mine. So it was sweet when my mom took a break from dinner with all my relatives in New York to call. 

She passed along the phone from my uncle to my aunt before it landed in the hands of my teenage cousin. He had a question, one he has since asked me multiple times: "Lucas, Is Netflix going to lose all of its shows?" 

I can understand why he would worry about that. There have been many stories stating Hollywood studios are pulling their shows from Netflix en masse, depriving the streaming service of the deep library that made it popular in the first place. In just the past few weeks, national outlets have wondered about the fate of "The Office" and "Friends," two of the most popular programs on the service.

Media companies are mad because Netflix built a $150 billion business that upended the golden goose of pay-TV using shows it doesn't make or own. Now those companies, namely Comcast, Disney and AT&T, are all dreaming up their own streaming services to compete with Netflix, and want to reserve their biggest hits to boost their own products. 

There's just one problem: Breaking up with Netflix is hard to do. Inspired both by Sam's curiosity and my own contrarian instinct, I did some digging on the state of contracts between Netflix and its biggest suppliers.

Of the 10 most popular licensed programs on Netflix, at least eight will be on Netflix for years to come. "Grey's Anatomy," "The Walking Dead" and a slate of shows from the CW network, including "Riverdale" and "Supernatural," will stay on Netflix for as long as they remain on the air — and then for three to six years after that. That means they will be on Netflix until at least 2023, and likely well past that.

The two exceptions are "Friends" and "The Office," but neither company that owns those shows has said they are leaving Netflix. In fact, both companies have made clear they still plan to license to other people. 

These companies aren't just hamstrung by deals they agreed to years ago. They are also unwilling to forfeit all that money they get from selling shows. TV studios like Warner Bros. and Universal TV have always sold shows to other TV networks and streaming services — not just to their own networks. 

"There has been no universal pullback," said Michael Nathanson, an analyst at MoffettNathanson LLC. "People are missing it," he added. "The loss of back titles will not kill Netflix or slow subscriber growth. It just forces them to make more original content."

To Nathanson's point, Netflix has been producing more on its own. The company will release 1,000-plus pieces of original programming this year. By the time "The Office" deal ends, Netflix will have at least 3,000 new programs in its library and likely surpass 200 million subscribers worldwide.

Netflix is worried about losing all those shows. That's why it is spending so much money on originals — to replace product from other people. But this is not some sudden catastrophe it faces. The question for Netflix is this:

Can it create a hit as popular and enduring as "The Office" or "Friends"? Netflix has made a lot of shows people like. But it releases so many shows, at such a volume and in such a way that few are lasting cultural touchstones. — Lucas Shaw

 
'Star Wars' Land, home of the $200 lightsaber

Star Wars: Galaxy's edge, the largest-ever expansion of Disneyland Park in Anaheim, opens to the public this week. Scores of media reporters are on the scene examining every nook and cranny of the 14-acre attraction, which includes a Millennium Falcon ride, a droid-building workshop and a den of antiquities.

The ability to add "Star Wars" to its theme parks is a big reason Disney shelled out $4 billion for LucasFilm (and then another $1 billion on Galaxy's Edge). It's looking good.

``The company is girding for what's expected to be record crowds at the $1 billion Star Wars expansion, while Anaheim is doubling the number of traffic cops on hand to direct cars and pedestrians," Chris Palmeri wrote from Anaheim. "In March, the company announced its first-ever reservation system for the park, requiring Galaxy's Edge guests to stay at one of its three area hotels or reserve spots online. The online reservations, which extend through June 23, were gone within two hours."

Carlye Wisel says the highlight of the whole experience is the merchandise:

"Come for a vivid universe of attractions, stay for a detailed treasure trove referencing every obscure toy, cackling monkey, and pathetic pretzel rod that characters such as Jyn Erso, Leia Organa, and Luke Skywalker have encountered in the 42-year history of the film franchise."

Lastly, you can listen to the head of Disney's theme parks business talk on Bloomberg TV.

 

Comedies are dying (in movie theaters) 

The hit comedy is a dying breed. "Booksmart" is the best movie I've seen this year, and lots of critics seem to agree. But its box office performance leaves something to be desired. It grossed less than $9 million this past weekend, which suggests it will struggle to reached $50 million in North America.

Ryan Faughnder has a good piece unpacking what went wrong. Perhaps the movie suffered from when it was released — a holiday weekend dominated by big-budget summer movies. (The #1 movie in the world is "Aladdin." The movie has grossed $275 million so far.)

Perhaps the movie needed the support of a major studio instead of its smaller backer. Perhaps the movie just lacked star power.

The real answer is likely a combination of all the above, but the struggles of "Booksmart" also highlight a worrying trend regarding Hollywood comedies. They aren't the force at the box office they used to be.

As recently as 2008, comedies accounted for 21 percent of all box office grosses. Between 1999 and 2011, comedies accounted for at least 13 percent of sales every year. Comedies have not crossed that barrier six years in a row. In 2017 and 2018, comedies accounted for just 7 percent of all grosses.

Put another way: In 2008, at least eight different comedies grossed $100 million. Last year, no comedy did — the first time that's happened since at least 1995.

A Parisian interlude

Private equity firms are tiring of French media conglomerate Vivendi's delays in selling a stake in Universal Music, the world's largest music company. 

"Parasite" won the top prize at the Cannes Film Festival, the first South Korean film to take that honor. The film was directed by Bong Joon-ho, whose previous work includes "Snowpiercer" and "Okja."

The biggest Oscar contender from Cannes is likely Quentin Tarantino's "Once Upon a Time ... in Hollywood," which was playing outside competition at the festival. Critic Justin Chang dubbed it "a happy, moving surprise."

 

Ari Emanuel is going to Wall Street

Endeavor, led by Ari Emanuel, filed for an initial public offering, the first major Hollywood agency to announce plans to go public.

The back story: Emanuel started Endeavor in 1995 with three colleagues from International Creative Management, one of Hollywood's largest talent shops. Up until a few years ago, his biggest deal was swallowing William Morris Agency, a larger and much older talent agency. 

At that time, it would have been unthinkable for a talent agency to go public. What representative wants their client to know how much money they are making off them?

But over the past few years, Emanuel and Patrick Whitesell have transformed Endeavor from a boutique talent agency into a multi-pronged media giant that runs sports leagues, hosts fashion events and represents leading athletes as well as entertainers. Revenue from clients such as Dwayne Johnson, tennis star Maria Sharapova and celebrity chef Bobby Flay now account for less than half of its revenue. 

Hollywood studios threaten to pull out of Georgia

Netflix said it would have to reevaluate all the business it does in Georgia if the state enforces a law that would ban abortions once a fetal heartbeat is detected. Then the stampede started. Disney, WarnerMedia and NBCUniversal all echoed the streaming service's concerns.

None of these companies actually said they would pull out of the state. Nor did they express any intent to act now. They are hoping that a lawsuit of some kind will stop the law from ever going into effect.

But it's still notable that some of the largest media companies threatened to leave a state where they do a ton of business over abortion. Though the Supreme Court enshrined a right to abortion more than 40 years ago, the topic remains one of the most divisive in U.S. society right now. 

 

Nigeria's movie business surges

Quick quiz: What is the second biggest movie industry in the world? #1 is Bollywood, the Indian movie factory that produces more films than any other country. #2 is Nollywood, Nigeria's homegrown industry.

Nollywood has long been limited by piracy, as Kamaron Leach reported in the latest issue of Businessweek. ``For years filmmakers have watched with frustration as swarms of illegitimate DVDs quickly overwhelmed their promising cinematic efforts, slashing potential profits and making it difficult to raise money to produce future films.''

But ``The arrival of streaming technology has the potential to upend that dynamic and introduce Nigerian films to a much broader market on both sides of the Atlantic."

 

The week that was

  1. Hillary Clinton and her daughter Chelsea are forming a production company. The family hopes to use film and television to influence culture and society now that Hillary Clinton is out of politics. They plan to focus on stories by and about women. 
  2. Lil Nas X spent $30 on the beat he used to make "Old Town Road," The #1 song in the U.S. for 8 weeks running. He purchased it from BeatStars, "a digital marketplace where producers and artists are able to link up without ever getting into a studio together."
  3. Music companies spent $5.8 billion on developing and marketing their artists in 2018, according to Music Business Worldwide.
  4. Sports Illustrated sold for $110 million. Authentic Brands Group, a "brand development company that manages Juicy Couture, Nautica, and elements of the Muhammad Ali and Elvis Presley estates" acquired the rights to market, develop and license SI.
  5. The U.S. government wants T-Mobile to create a competitor to its own phone service as a condition of acquiring Sprint. That would ensure the U.S. telecom market still has 4 competitors (instead of 3). 
  6. A senior official with the Writers Guild of America is shopping a series produced by one of the agencies the WGA is suing. Whoops.
  7. "Godzilla" is projected to gross at least $50 million this weekend. The Elton John biopic "Rocketman" is tracking for a $20 million opening in North America.
  8. Apple hired an executive from Disney for its streaming service, underscoring the growing rivalry between two companies that have long been friends.

And some good reads for the weekend

Weekly playlist

Ben Sisario's book on the album "Doolittle" inspired me to revisit The Pixies, an alternative rock band I only associate with a couple movies ("Fight Club" and "(500) Days of Summer." Thank you, Ben. And thank you "Booksmart" for the best soundtrack of the year. Calling it now. 

 
 

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