Art WeekChange is in the air. The auction market, long dominated by work made by White men, is demonstrating some semblance of market diversity—not only in what's offered, but also by how much people are willing to pay. Over the course of New York's May auction week, several of the $15 million-plus artworks sold after just a few bids, while occasionally dozens of people vied for lower-priced works by artists who aren't household names.  Salman Toor's Best Friends (2019) Source: Christie's "In a way, the headline this week is about diversity in so many ways," says Bonnie Brennan, president for the Americas at Christie's. "Not only in the artists themselves, but the [artworks'] medium, style, and price points." Enthusiasm at Christie's on Tuesday night was particularly intense for work by Jordan Casteel (born in 1989), Nina Chanel Abney (1982), and Rashid Johnson (1977), whose Anxious Red Painting December 18th, which he completed last year, elicited "a volley of phone bidders in our sales room," Brennan says. It sold, with premium, for $1.95 million, topping a high estimate of $300,000.  Clyfford Still's PH-125 (1948-No. 1) (1948) sold for $30.7 million. Source: Sotheby's The next night at Sotheby's evinced a similar energy. There was a seven-minute-long bidding war for Robert Colescott's 1975 interpretation of Emanuel Leutze's Washington Crossing the Delaware, titled George Washington Carver Crossing the Delaware: Page from an American History Textbook. It ultimately sold to the Lucas Museum of Narrative Art for $15.3 million, surpassing a high estimate of $12 million. And a work by Salman Toor, whose solo show at the Whitney Museum of Modern Art earlier this year was a must-see, sold for $867,000, over a high estimate of just $80,000. "The more electric moments this week have been around newer and more emerging artists," says Christie's Brennan. Of course, with more than $1.3 billion worth of art sold, the biggest sales still went to established names: Picasso, Monet, Van Gogh, and Warhol still dominate the very pinnacle of prices. Here are the top five lots sold. $103.4 million for Picasso's Femme Assise Près d'une Fenêtre (Marie-Thérèse) (1932) Sold at Christie's  Picasso's Femme Assise Près d'une Fenêtre (Marie-Thérèse) (1932). Source: Christie's $93.1 million for Basquiat's In This Case (1983) Sold at Christie's  Basquiat's In This Case (1983). Source: Christie's $70.4 million for Claude Monet's Le Bassin aux Nymphéas (1917-1919) Sold at Sotheby's  Monet's Le Bassin aux Nymphéas (1917-1919). Source: Sotheby's $50.8 million for Basquiat's Versus Medici (1982) Sold at Sotheby's  Basquiat's Versus Medici (1982). Source: Sotheby's $48.5 million for Monet's Waterloo Bridge, Effet de Brouillard (1899-1903) Sold at Christie's  Monet's Waterloo Bridge, Effet de Brouillard (1899-1903). Source: Christie's | 
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