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The Deshaun Watson Case Is a Minefield for Sports Media

In the five weeks since more than a dozen women accused Houston Texans quarterback Deshaun Watson of sexual assault, sports media has been tongue-tied.

ESPN's "First Take" and "Pardon the Interruption" have spent more time on the NCAA Tournament and the NBA playoff race. Talk radio has gone long on the NFL trade market and the Masters. It's not just sports media. While coverage of the allegations picked up after two women came forward with their stories -- prompting Nike to drop Watson -- the story has yet to appear outside the sports section of national newspapers.

Several senior media executives have expressed surprise at how little coverage the case has gotten thus far. Watson is one of the best players in the most popular sport in the U.S. His demands for a trade received wall-to-wall coverage at most of the major sports media outlets. But allegations of sexual abuse, not so much.

"It's not been nearly as big a story as the merits of it warrant," says Pablo Torre, host of the ESPN Daily podcast.

Torre's podcast has been a notable exception, having now devoted two full episodes to the story. In the first episode, he interviewed investigative reporter John Barr about the case, and then spoke with Texans beat reporter Sarah Barshop. In the second episode, Barr returned to talk about the "conflicting narratives" now that some women have come to Watson's defense.

The muted coverage contrasts with that of recent entertainment scandals. National newspapers like the New York Times and Los Angeles Times have run a series of front-page stories about toxic cultures at institutions like the Magic Castle and the Friars Club. Both the Hollywood Reporter and New York Times just this month published long investigations into producer Scott Rudin for being an abusive boss. (The Rudin story ran on the front page of the paper.)

Media executives cite many factors for the subdued coverage of the case thus far, including the relative anonymity of football stars, a long history of false accusations against Black men and the profession of the accusers. Watson is accused of sexual assaulting his massage therapists. While they are trained professionals, it has led some to dismiss the case as "tabloid fodder."  

 "If you go to the NFL page for ESPN, it's there. But I haven't really seen coverage in leading newspapers I look at," says John Kosner, a longtime sports media executive who used to work at ESPN and the NBA. "I suspect at the moment they are going on the information available to them."

The story has received more coverage in the Houston market, though the tenor of that coverage has missed the mark, according to Texas Monthly's Dan Solomon.

One reason this story is still relegated to the B block is the evolution of sports media, which now prioritizes "the take" above all. A take is an interesting opinion, an angle on a story that no one else has discovered. It is the foundation of all the biggest sports media personalities on TV.

Stephen A. Smith is the maestro of the outrageous, if not always correct, opinion. Skip Bayless, his former partner-in-banter, built his entire career on takes. Bill Simmons, Colin Cowherd and Mike Francesa all have loyal followings because their listeners want to hear their take on a given topic. 

It's hard to have a good take on the Watson case. If you make it about the football impact, you may dismiss the allegations themselves. If you believe the women, you risk being the latest bigot guilty of falsely accusing a Black man. If you don't believe the women, you have even bigger problems. Top sports hosts have often resorted to say things like, "This doesn't look good for Deshaun Watson."

None of these concerns have ever stopped cable news pundits from speculating or commenting on ongoing legal matters, but sports media treads more carefully. ESPN has a policy distinguishing between a civil trail and a criminal trial. Criminal trials merit closer coverage.

The investigations into Watson are still ongoing. The Houston police department and the NFL are looking into the allegations. The Texans haven't punished him either.

"When there is active litigation, civilly -- and you don't have obvious conclusions to draw about what's true and false -- it would be irresponsible to do so. I don't fault the shows that are run on takes for not diving into this through their lens," says Torre, who is also a  frequent guest on "Around the Horn" and co-host on "Pardon the Interruption."

And yet, ESPN showed no such reluctance to cover the outcome in the case of Derek Chauvin. The network, which just a couple years ago vowed to stick to sports, spent more than an hour of "First Take" on the trial's verdict, and made it the biggest story on its website's homepage.

Most members of the media cheered this coverage as a sign of how the activism of professional athletes has forced ESPN to adapt. That story has little to do with sports. But professional athletes cared about it, and spoke out about it, which means their teams had to pay attention, which meant the leagues and their media partners had to pay attention.

But in the case of Watson, his teammates, the Texans and the NFL would prefer this story just go away. -- Lucas Shaw

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Apple finally has a podcast plan

Apple will let podcasts sell subscriptions within its app, giving podcast studios a new way to make money from their shows.

Apple making any kind of investment in podcasting is notable because the company has been MIA for a long, long time. Despite fostering the early podcasting industry and owning the most popular podcasting app in the U.S., it has watched as Spotify became the market leader in many respects.

"This is a really good development," says Dennis Kooker, president of Sony Music's global digital business. "Monetization for podcasts is behind where it needs to be."

Apple and Spotify have both adopted the same approach when it comes to subscriptions. Rather than sell a subscription to a paid podcasting service with a buffet of shows -- a la Netflix in video -- they are allowing individual creators to charge fans for their shows. 

But while Spotify isn't taking a cut from the hosts (at least not yet), Apple is taking a 30% fee (and 15% in year two). Some have balked at paying Apple such a large share, which mirrors Apple's app store fees. 

It remains to be seen just how much podcasts actually interest Apple. It's tempting to declare this the start of a real competition between Apple and Spotify (and Amazon). But Apple doesn't sell advertising, so it can't make money that way. And even if it sells lots of subscriptions, it may not care. Apple sells tens of millions of music subscriptions, and that product  seems like an after thought most of the time. 

The numbers

Justin Bieber performs onstage during Nickelodeon's Kids' Choice Awards on March 13, 2021.

Photographer: Rich Fury/KCA2021/Getty Images North America

The biggest pop star in the world is.... Justin Bieber. From our latest Pop Star Power Rankings:

Bieber credits manager Scooter Braun with the rollout of "Justice," which began with a barrage of tracks last year. The artist dropped his first single "Holy" in September," and released another single, "Lonely," a month later. By the time the album came out in March, five songs were in the top 20, and one single, "Peaches," had hit No. 1.

As a way to generate excitement, artists used to only release a single or two before an album came out. You let one single dominate the radio airwaves and news cycle for a while before releasing another. With "Purpose," Bieber's 2015 smash, he didn't release the third single until a month after the album came out.

But in the streaming era, the line between single and album has blurred. Drake has released 17 songs across a mixtape and an extended play over the past year, all ahead of an album dropping some time in 2021.

The biggest movie in North America is "Mortal Kombat." The film grossed $22.5 million, the second biggest domestic opening of the pandemic. It narrowly edged "Demon Slayer," the Japanese anime film.

Netflix tanked in the first quarter

The streaming service added 3.98 million customers, its slowest start in eight years. The company blamed the pandemic, which accelerated adoption last year and halted production on shows that would be coming out now.

Netflix dismissed two other potential problems: increased competition and a recent price increases. However, it is losing some attention to rivals, as we covered last week. And a recent report from Antenna suggests customers canceled Netflix at a higher rate after a recent price increase. But it was overshadowed by a spate of cancellations around the time of the "Cuties" controversy.

HBO Max soars

Remember that earnings is all about expectations. Netflix added about 4 million customers and shares fell. HBO Max added 2.7 million customers in the U.S., and AT&T shares rose the most since October.

The Oscars!

The Oscars will have started by the time many of you read this, so I am not devoting too much time to them. It seems clear that "Nomadland" will win best picture, Chloe Zhao will win best director and a lot fewer people will watch the show this year than a year ago.

"Nomadland" was released by Searchlight, formerly known as Fox Searchlight. Nancy Utley and Steven Gilula are going out on top, stepping down as heads of the film distributor they've run for more than 20 years.

Deals, deals, deals

  • Media paydays: Netflix co-CEOs Reed Hastings and Ted Sarandos made $43 million and $39 million respectively last year. (Hastings also made more than $600 million from exercising stock options.)

  • Media paydays part II: Comcast CEO Brian Roberts made $32.7 million, while NBCUniversal chief Jeff Shell made $16.5 million.

  • AT&T is looking to sell Rooster Teeth, a media company that makes web series and podcasts, as it divests all "non-core" assets.

  • Jay Penske, owner of almost every entertainment trade publication under the sun, is buying half of South by Southwest. 

  • Billionaire Todd Boehly is merging his SPAC with ticket seller Vivid Seats, a deal that values Vivid at about $2 billion.

Weekly Playlist

I have fallen hard for Celeste, a 26-year-old British singer who just released her debut studio album. She is like a female Michael Kiwanuka, which if you know anything that soulful voice, is very high praise. (She is up for an Oscar Sunday night, but it is one of the only songs of hers I don't like all that much.)

 

 

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