I first read Gilead — the first of Marilynne Robinsons's eponymous four-part series back in college — when I was working at a 7/11 one summer. I don't remember how I heard about the book, or even if I bought it or borrowed it from the library. But I do remember how immediately taken I was with the ruminations of the ailing John Ames, a pastor in 1950s Iowa, writing a letter to his young son about life and faith and occasionally fretting over Jack Boughton, the wayward son of his best friend. In Jack, Robinson's latest book, we finally see things from Jack's point of view. Without the context of the previous three books, it might take a moment to figure out who Jack is. He lives in a boarding house in St. Louis in the '50s, but when the book begins we know no names. We're only in the middle of a heated conversation between two people — then later they meet again in the cemetery. Their conversation turns to poetry, to theater, to predestination and Hell. I'll admit it took me a while to get through this part of the book. But then we have some movement and just like that again, I'm in Robinson's thrall again as she depicts Jack's profound loneliness, his desire and reluctance to connect— and then the wonder that is falling in love with Della, a Black school teacher. Their love is doomed from the start because of anti-miscegenation laws and Jack's intractable draw towards mischief. Robinson does a good job subtly demonstrating the stakes. The result is a novel that is heartbreaking, but beautiful meditation on undeserved grace. Get your copy. — Tomi Obaro -
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